Saturday, 31 August 2013


 
 
Not going shopping...

My school was a bit on the rough side, a secondary modern stuck in the sticks where bullies ruled, some of them teachers. I would watch out for their swooping shadow menace and keep my head down. They would circle the schoolyard like skuas, and if we were lucky we’d just lose a few cigarettes rather than our teeth. The ultimate insult was to be called queer and it came with punches, hair pulling, spit and segregation. Sometimes violence would erupt, and the grey slabs of the yard would be marbled with blood. A nose bleed was generally used as an excuse. The irony was that many of the young men branded as queers were not gay at all. Just to be a little effete, wear glasses or be caught reading a novel instead of a comic was enough to be rounded up at my school. Academic aspiration and achievement was a cause for suspicion whilst sport and progressive rock was king. There was no underground, velvet or otherwise at my secondary modern.

To my eternal shame I stood back and watched the carnage in my desperation to be invisible. Rather than stand alone and be noticed I opted for the side with power and joined the baying crowd, a coward, but not the only one. In my defence all I can say is that I never physically hurt anyone but that’s a pretty feeble stance to take. Regrettably I was no fearless and defiant Martha P. Johnson. There was a feeling even then that I didn’t belong anywhere or have a corner to fight despite realising I was a bit queer myself. To my peers I was just a regular bloke with a good sense of humour; a court jester with a weight problem.

 

 
Ian Knot was the toughest boy at my school and he lived in my village. This meant many awkward minutes avoiding eye contact whilst waiting together at the school bus stop. At first he viewed me with utter contempt but over time we became friends of sorts because I made him laugh. However with an audience in tow his contempt would spring back like a field gate. One day the bus was late and adopting the look of a James Dean brought up on black pudding and strong tea, he pulled out a crumbled pack of Players No.6 from his pocket. With one precision swipe a match was struck and cigarette lit in one swooping movement. After several deep drags the cigarette was offered to me and I didn’t dare refuse. It tasted quite disgusting and Ian laughed as I coughed and spluttered; my eyes smarting and red. An intense rush of blood and wave of nausea engulfed but I persevered so desperate was I to belong somewhere.

 

The next day one of Ian’s courtiers summoned me to a corner of the schoolyard where his gang gathered before assembly each day. I stood in their horseshoe as Ian introduced me to each of his clan as little fat Hill. I had a new name and identity. The pincer of my new family closed in like a fly trap as I swore my allegiance to each of them in turn, finishing with Ian. He gestured to the pebble dash wall that circled the yard like a sandpaper sheath.  ‘Go on then, you know what to do’ he said. There was no going back so I did as every other member had done before me. I raised my arm and dragged my knuckles down through flint shards until my skin tore and burst with blood. I would wear the scabs proudly for weeks as a totem, my wounds indicative of my new status and invincibility. 

 


When I was 16 I watched ‘The Naked Civil Servant’ with Doreen Alice sitting opposite me. We were both completely transfixed by the show which brought colour into a world of 1970s brown and beige. Looking back I think my mother felt Quentin’s pain and courage so deeply because she too had been ostracised and singled out. In her case for being an easy woman knocked up by some Yank from the Criterion Pub. She’d also shared Quentin’s love of bright red lipstick, Cuban heels, dark alleyways and a man in uniform back in the day. I applaud her for getting what she wanted in the bleakness of 40s Britain, no doubt with a pair of nylons and a few brandies for good measure. We have nothing to take from this life but our memories and spots of light. I saw Quentin more as a beacon of beautiful otherness lighting new pathways and possibilities like some wartime Bowie. Although I would never have the desire to dress up or possess the cheekbones of either, I would always be on the outside whilst on the inside. I realised that queer could be power and strength after all.

'My mother protected me from the world and my father threatened me with it' - QC

Quentin Crisp - born Denis Charles Pratt, (125 December 1908 – 21 November 1999(1999-11-21)
 


Friday, 16 August 2013


 
Everything is new


Every everything
everything is new
I cried everything
everything is new

 
I loved Anthony’s Scott Nina infused warble croon the moment I heard it coiling around Old Whore’s Diet, the closing track to the Rufus masterpiece Want. A serendipitous conversation with my friend Mike led me to I Am a Bird Now and a new love affair and greed for every recorded morsel was born. Antony’s ethereal transitioning otherness lit a fire that has burned since.




I first saw him perform at The Empire Music Hall in Belfast on the 3rd July 2005 with Mike at my side. The theatre was modest and we sat just a few feet away at a small round table lit with candles as the voice stirred deep silt from the soul mining depths. There was nothing contrived just a raw honesty and a desire to hold him close. At the end of the show a lady in her sixties with a tear stained face thrust a packet of chocolate rolos into his hand and said she loved him. I left wishing I’d had the courage to do the same.
 
8 years later on the 26 July 2013 I sat with my friend Jim by my side. The lights dimmed and the voice once more resonated in the darkness, eyes are falling, lips are falling, hair is falling to the ground, slowly, softly, falling, falling...
The Rapture
In darkness I was transported, transfixed and transitioned and to my delight Doreen was with me. I felt her course through my veins bringing oxygen to my starved muscles. And with each song her energy grew as tears ebbed from my eyes. I felt at home, safe and in another world. I imagined her sitting at the table in the kitchen with a cigarette and a cup tea, reading the paper.



Another World


I'm gonna miss the sea
I'm gonna miss the snow
I'm gonna miss the bees
I miss the things that grow
I'm gonna miss the trees
I'm gonna miss the sun
I miss the animals
I'm gonna miss you all
I need another place
Will there be peace
I need another world

Anthony talking about the
Swanlights show

 
 

 
 
 
 
 
 
 
 
 
 
Laser light bleeding finger tip cosmos
Yearning strings; voice spiral transition
Calling; calling me
Holding, holding me
Loving, loving me.



The Crying Light

Let I
Shy cry
Under the light
Let I
Cry sight
A child at night
I can
Have courage
To receive your
love


 



"I was no one, nobody, from Nowheresville until I became a drag queen.  That's what made me in New York, that's what made me in New Jersey, that's what made me in the world."

Martha P. Johnson - activist & drag mother - Born 1944 - Died 1992