Wednesday, 5 December 2012


 
It's a new favorite. Thanks for giving me the record! Xx

Krystle’s Mary Margaret O’Hara tweet was a boost; jump starting a day of preparation for Fabio’s visit. I immersed myself in a frenzy of cleaning, dusting and mopping entertained by my iPod’s juxtapositions, always a joy.
I was startled awake in the early hours by a missed call and voicemail revealing that poor jetlagged Fabio had been held at the Heathrow gate until he could provide my address. Thankfully after a flurry of emails he was let through and a few hours later he arrived in a halo of Californian sunshine. It was a tonic to have his broad smile and kind spirit brightening short dark November days. We met for the first time passing in the street on the Castro when I lived in San Francisco. We recognised each other from internet chats and this chance meeting cemented a lasting friendship. Fabio is one of the good guys and I’d trust him with anything, including my life. After several days of good company and laughter it was hard to let him go to London but with a fair wind I’ll be visiting him in 2013.
 

Here’s a track from Brighton’s Grasscut who we saw together at the Green Door Store on his first night in the city.
http://www.youtube.com/watch?v=uWxCJRBIs2E

Returning to a normal routine was a challenge so I chose to be productive and focus on the Christmas CD. Endless listens saw the track listing finalised and my cover idea materialised with the assistance of Mike H, a camera, some plain flour and lots of gurning.

On Saturday 24th Rufus came to town and the Brighton Dome filled with a liquorice allsort crowd of homos and their friends. I’d managed to bag a front row seat which was exciting but I hadn’t expected to be cruised via Growlr whilst waiting for the lights to go down. This was a virtual first and we agreed to meet and have a real chat about the performance afterwards.
 
Krystle Warren took to the stage first crackling with charm, her voice a vaulting wonder. Adam Cohen followed with a blend of self penned songs and Cohen senior covers and then at last the man we were all waiting for. Rufus started his set with  ‘Candles’ my favourite song from the new record sung unaccompanied in near darkness to great effect.

http://www.youtube.com/watch?v=X8KZO1nsFCA

It’s always just that little bit more
That doesn’t get you what you’re looking for
However with the band in full swing his voice was lost in the muddy sound which was a great shame. It was a good show, but not the best (or the worst) I’ve seen him deliver. The highlights emerged when the band was stripped back to reveal the voices of Teddy Thompson and Krystle performing pieces from Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle. Something I can’t wait to see when it hovers close to Brighton.



http://www.youtube.com/watch?v=av9PsdKOgsg

I left feeling a little disappointed and met my new friend outside the auditorium. ‘Roodybear’ was a skyscraper of a man who’d come from London to see the gay messiah. He too was a little disappointed which made me feel slightly better. We talked about this and that, but that didn’t happen due to time constraints so I headed home with satiated whistling ears.
http://www.youtube.com/watch?v=iY_F7Gt7DL0

He will then be reborn
From 1970's porn
Wearing tubesocks with style
And such an innocent smile

Better pray for your sins
Better pray for your sins
'cause the gay messiah's coming

He will fall from the stars
Studio 54
And appear on the sand
Of Fire Island's shore

Better pray for your sins
Better pray for your sins
'cause the gay messiah's coming
 

Saturday, 1 December 2012


There but for the grace of God, goes God

Today was World Aids Day, and I woke with friend Andrea Regard circling like a headline amongst more mundane thoughts. He worked at the florists opposite my cafe in the late 80s and would regularly sashay in for lunch and a chat. We became good friends over hundreds of espressos, and his razor barbed wit and salacious stories, usually involving tradesman, would have me rolling on the floor with laughter. He was fearless, frank, fun and built to play.

Andrea's 25th birthday party in March 1990, held at the cafe - the start of his illness.
Andrea started to lose his appetite and the little weight that he carried on his slight frame. The boyish good looks and olive skin fading like fabric left out in the sun. When we spoke of it he brushed my concerns aside, looked me square in the eye and said everything was fine. It was just a stomach problem, and the doctor was dealing with it. I wanted to believe his story rather than feed my dark anxiety and the paranoia that raged back then. When one of his lymph glands grew to the size of a grapefruit my fears resurfaced but any mention of the virus was quickly smothered and the subject changed.

One night at about 2 in the morning my phone rang and it was Andrea. He was deeply upset and asked me to come over so I dressed quickly and crossed the street. He opened the door in tears and we climbed the stairs to his kitchen where he turned to me and confirmed my worst fears. I cradled his dwindling form and could do nothing but whisper ‘you’ll be OK’ as his tears soaked my shirt.

Andrea never made it into the cafe again and was soon admitted to Ward 6 at the Hove General, a place few left back then. The ward was isolated from the rest of the hospital at the top of the building; hidden away to allay the terror of the masses fearing the gay plague. I visited regularly and this time it was me who was in denial. Whenever Andrea talked of death I would try to change the subject but he was pragmatic and resigned to his fate. We would watch movies together and he would humour my talk of trips to his homeland when he 'got better.'

Over the course of two months Andrea simply disappeared as the virus asset stripped his body. Each visit would see part of him shaved away and the suffering increased. On good days, when light would break through the clouds of his pain, he would tie up the loose ends of his life, extracting every available penny to send home to Brazil.

One day after watching the movie 'Beaches' which he'd requested, my resolve buckled and I found myself getting upset. Andrea held my hand with a rosary squeezed in between and consoled me with talk of angels. He said that he would soon be in the heavens and would watch over me. To this day if I think of him I naturally look up to the sky and say hello.
Andrea slipped into a coma and died on the 22nd May 1991. He was just 26 yeas old.

http://www.youtube.com/watch?v=Amn1Tz-gQzw

Boys that held him dear
Do your weeping now
All you loved of him lies here
Do your weeping now

Brought to the earth
The arrogant brow
And the withering tongue
Do your weeping now

Sing whatever songs are sung
Wind whatever wreath
For a playmate perished young
For a spirit who's spent in death

Boys that held him dear
Do your weeping now
All you loved of him lies here
Do your weeping

Do





At 6 o’clock I joined many others at the World AIDS Day vigil in the New Steine. Despite the freezing cold the warmth and camaraderie was tangible. We held candles as the names of the Brighton dead were read out and I was shocked by the number of people that I actually knew - Graham Wilkinson, tall Ken, Kevin Dodd, Marcus Riggs, Robin and Andrea Regard.

On the wings of a happy dove flies a letter with a kiss, a hug and my love



Friday, 23 November 2012


 
Patience is the companion of wisdom

Tuesday 13th November 2012
Breakfast at the Ibis appeared to have been regurgitated by one, so I cut my losses and braved the Northampton streets. It felt strange to wander after 30 years and to my surprise there was very little I remembered fondly or otherwise. Despite repeated rape by town planners a few buildings of note still survive like gold tooth caps amongst the grey decay. All Saints Church and the Town Hall evoke grander cityscapes and a civic pride long since neutered.



With a few hours to spare I drifted through the medieval grid before finding a leather oasis in the Shoe Museum. This was doubly fascinating after visiting dad and hearing his stories of the rough stuff. I had also forgotten the beauty of shoes and the craft that still exists here, revitalised by the likes of Jeffrey West amongst others.



http://vimeo.com/28888778

Old Beale Street is coming down
Sweeties' Snack Bar, boarded up now
And Egles the Tailor and the Shine Boy's gone
Faded out with ragtime blues.




Mum was in good form, looking well but shrunken, slight and frail. My love for her seemed amplified after seeing dad and I luxuriated in her sunshine, whilst my stepfather replenished cups of tea and digestive biscuits, her staple diet these days. Conversation was a challenge thanks to mum’s poor hearing but we muddled through with repetition and a raised voice. Although I ached to explore some of the questions raised by dad, I decided the risk of opening old wounds and making her feel insecure was too great. My curiosity was parked alongside a realisation that I’d never know the whole truth, just glimmers of colour through lace curtains.


Saying goodbye gets harder each time and the lingering hugs, snaking tears and expressions of love more heartfelt; our mutual fear that this might be the last time driving the agenda.

 

At dusk I joined the necklace of red tail lights leaving Northampton and my tears returned; a salty blend of regret, love and happiness. A stubborn scab had succumbed to new skin and sunlight. The song Dive for Your Memory drifted into my psyche as I drove home
http://www.youtube.com/watch?v=3s3Il5pmPXI

If the cliffs were any closer
If the water wasn’t so bad.
I’d dive for your memory
On the rocks and the sand.

I’d dive for you
Like a bird I’d descend
Deep down I’m lonely
And I miss my friend.


The Go-Betweens were formed in Brisbane in 1977 by Robert Forster and Grant McLennan and soon evolved into a cult antipodean brew distilling the best of UK and US New Wave. Think The Smiths with a side order of Talking Heads and some sunshine. They played the Zap Club on the 7 June 1989 and I was lucky enough to be there for a night of jangly joy. Whenever I think of my favourite gigs it’s one that instantly surfaces with a warm smile. It was my first summer in Brighton starting a new life and I was buoyed by hopes, dreams and anticipation. Sadly Grant died suddenly and unexpectedly of a heart attack aged just 48 on May 6th 2008. He was about to host a party to celebrate a new relationship and house. This song is a favourite of mine, simple like sadness itself and sure to bring a tear to my eye.







Hey you! Watch me fall through your fingers.
I will spill away like sand.
Hey you! Watch me fall through your fingers.
Now you know what it's like to be a man.

His friend and co writer Robert Forster was devastated by the loss and wrote the equally beautiful Demon Days for Grant. No one knows how long they have, so burn brightly my friends, cry easily and hold those dear close to you.
http://www.youtube.com/watch?v=hAbU7K1Xrcw&feature=related

The half whispered hopes
The dreams that we smoked
Puffed up and ran
As only dreams can
Dreamt by the young
Sparks to be sung
In places so bright
But something’s not right
Something’s gone wrong
All hail the Go-Betweens, the finest Australian band to traverse the globe. Brisbane should be proud.

https://www.youtube.com/watch?v=kGUxZvuRe9k

 If you spend your life looking behind you
You don’t see what’s up front
Was there anything I could do?


http://www.youtube.com/watch?v=1mECBgNZt_k

What would you do if you turned around
And saw me beside you
Not in a dream but in a song?
Would you float like a phantom
Or would you sing along?

Don't know where I'm going
Don't know where it's flowing
But I know it's finding you


 

Monday, 19 November 2012






Some people have dark hallways…

On Monday 12th I woke with ears ringing from the thunderous Zappa spawn of the night before, and after a light breakfast and haircut Martha sped me northwards. The roads were unexpectedly clear and I arrived in Northampton after just two hours and twenty minutes.


Dad had been moved to a private room in the Althorp ward and I found him dozing with daytime quiz shows booming from the TV. A tap on the shoulder alerted him to my presence and he responded with a wide toothless grin. Our mutual pleasure at seeing one another felt strangely alien and I mused for a moment on how things had changed in just 12 months. I found myself feeling pleased and guilty simultaneously, as if I was sleeping with the enemy; betraying my mother and sister. Tumbling thoughts soon settled to bring me back to my own selfish purpose and diving for pearls.

‘Here's to the few who forgive what you do, and the fewer who don't even care’ – Leonard Cohen.

It was fascinating to dip into his fading life, make sense of a past riddled with bullet holes and better understand my own weave. We began by talking about his early working life in a shoe factory. He started aged just 13 in the ‘rough stuff’ where the heavier leather required for the soles was cut and matched.


His own father had been an engineer working for Express Lifts before the first war, but being gassed in the trenches put paid to any conventional working life. Hillery junior was withdrawn from school early to work but was not unhappy with his lot and the family of twelve lived well in a three bed house. Food staples were pig trotters, chicklings, sheep cheeks and faggots which were a Hillery senior speciality. So good apparently that local children would stop by to ask 'any spare faggots Mr Hillery.'  Oh the wonderful double entendre of meat products.

Excerpt from the British Food Trust –
A popular supper dish was faggots, also known as savoury ducks. Faggots are generally liver meatballs wrapped in caul. Other foods were made with pig meat and offal such as chicklings (chitterlings), polonies and other sausages, haslet, brawn, tripe and pig’s trotters.



Most of the family income still came from Hillery senior, always on the lookout for a deal, ducking and diving with the best. House auctions were a favourite, and he would leave with poacher’s pockets stuffed with stolen spoils to sell later in the local pubs. Dad recounted a trip to the Silver Cornet where he was deployed to take a bag to the toilet for a pick up.
As sure as a river finds the sea, talk meandered through time to naval glories draped in Vampires, Barracudas and Swordfish before landing at 11 Ansell Way and later battles.





I sat and listened to his stories of an ungrateful wife and mummy’s boy as I tried to stitch in my own memories flooding the decks. Talk turned to my mother’s betrayal, the day we left the house and an axe.

Excerpt from a memoir – Riding with Stabilisers

The fateful day came and I lay in bed listening intently as dad went about his morning rituals. I could smell his Old Spice filling the house with its stench as he moved around. At last I heard the back door close and soon after the clunk of a car door and an engine starting. The crunch of gravel as the car reversed out of the drive was our signal. We emerged from our rooms simultaneously and got to work filling bags, suitcases and boxes, creating a pyramid of hope in the centre of the kitchen. The removal van was due soon and our final job was to empty the chest freezer and defrost it. Like some macabre pass the parcel, we busily wrapped cuts of meat in the newspaper we’d been saving under the settee for the past few weeks. With the freezer washed out and wiped clean, we were ready, sitting nervously on the floor with a rapidly filling ashtray between us. The van arrived on time and I felt both exhilarated and nervous. Buzzing with adrenalin I helped the driver load our lives now measured in a few cubic feet into the van. Mum sat at the kitchen table in her favourite chair with a face that said ‘am I doing the right thing?’ I blew her a kiss and she smiled through the veils of smoke.
 
 

Engrossed in the task at hand, I hadn’t heard the car parking outside in the street. I noticed the Austin’s cold chrome grimace mocking me before I saw my dad’s shape crossing the driveway. ‘What’s going on?’ he shouted, the customary bellow cracked with doubt. He appeared shrunken and walked without his familiar bravado and swagger. I felt the roots of my growing confidence greedily absorbing his power and authority. I felt grown up, in charge and eager to exert my new power and control over him. With a sense of righteous indignation I feasted on the realisation that he was no more ready to ride without his stabilisers than I’d been all those years before. Looking into his black eyes as he came to face me, I stared straight back and just said ‘we’re moving.’

Mum had heard dad’s voice and nervously came outside with the van driver who she instructed to take a break. As dad strode past her mumbling ‘cow’ under his breath, she followed him back inside.

What are you taking?
Just our clothes Bob, the rest you’re welcome to
I paid for this meat
I’m taking the freezer; it’s mine
But not my meat
It’s no use to you without a freezer Bob.

I had been standing watching this ritual bating in disbelief but decided to join the fray.

Have the meat
You stay out of this
We’re taking the freezer
That’s my meat
We’re taking it
You’re taking nothing from this house

I stood anchored to the spot, legs apart with arms by my side as our eyes wrestled for a chink of weakness. His stare broke and cursing under his breath he disappeared outside. I felt powerful, but I realised how much we still had to do. Just another hour I thought and it’ll all be over. A bag of nerves, mum lit another cigarette not noticing that one already burned in the ashtray.

Suddenly dad was back with a look of menace in his eyes; his power buoyed by the axe he brandished at shoulder height. I’d seen the beast many times and had witnessed the wounds it inflicted on the Hawthorn at the back of the garage. Mum stood, fear rippling her face.

Bob don’t be stupid
This is my house
Please Bob
You’re not taking it

I stood between him and the small freezer which had become the Goose Green of our battle.

Get out the way
Leave the freezer alone
I’ll smash it rather than let you take it
Leave it alone
Then I’ll smash you first

He raised the axe and pulled it back past his ear like a cobra ready to strike. I watched as his fist tightened on the shaft bound in brown leather and the muscles rippled over the anchor tattoo on his forearm. His eyes were black glass and empty of emotion. For a split second I imagined my skull smashed and my life ending because of a freezer and a pile of cheap cuts wrapped in newspaper. I kept my nerve and calmly stood to one side.

You’ve gone too far this time. I’m calling the police.

The axe didn’t smash into the back of my skull as I walked from the kitchen into the lounge although the thought did cross my mind. How strange to have that thought as an axe split your brain in two. The act of dialling 999 brought home to me what had just happened and after replacing the receiver in its cradle waves of nausea swamped me and I began to cry.

I walked back into the kitchen and to my amazement found mum and dad sitting at the table in their Sunday spots, silently smoking as if nothing had happened. The axe lay on the floor where dad had dropped it. Still numb I took a deep breath and said ‘they’re on the way’ before walking outside to see our driver sitting in the van reading a newspaper. I apologised but he just grinned and muttered ‘happens all the time’ and carried on reading. As I waited for reinforcements I wondered how many other families he’d seen dissolve on our local pavements.

It took about fifteen minutes for the police car to arrive. They parked behind the Austin and two officers emerged.  A crazed lighthouse flashed on the roof of the car like a circle of paparazzi.  As I walked down the drive to meet them I was pleased to see net curtains twitching the length and breadth of the street. I imagined Mrs Wilkins at number 37 giving a running commentary to her husband as the action unfolded, no doubt branding us thieves and vagabonds. It was a sweet relief to see the officers and their bubble of security and feeling relaxed I found myself enjoying the notoriety.

The officers listened carefully as I did my best to explain the events of the morning. For some reason I left out the part with the axe inches from my face and just said that my father had been threatening. The shift in power that I’d felt was reward enough and I had no desire for revenge. When I’d seen dad at the kitchen table he’d looked defeated and broken. There was no need to ransack and pillage what was left; he’d have years to do that himself. After our chat the police followed me into the kitchen and asked my father to join them in the lounge where they sat either side of him on the settee like a clamp. I tore the driver away from his crossword and we finished moving the remaining boxes, the freezer and soggy packages of meat.

Without that blunt rusting axe I’d have left 11 Ansell Way a bullied little boy. Instead I left halfway to being human.

Dad remembered everything about the freezer but in his version he had threatened my stepfather. When I told him the truth, that he'd actually held the axe to my face, he looked aghast, clutching his forehead, mouth agape. All he could muster were the words 'I'm sorry' over and over. It felt life affirming to hear and accept the apology, let go of some hate and feel forgiveness ooze into the cracks of our relationship. When all's said and done, he's my dad and love conquers all.
 
 
Naked and new born
Held aloft by tattooed arms
The proudest of fathers
Naval stripes and broad smiles
In cosy complicity
March 1959

Together but alone
Distanced by pride and similarity
And denial of love
The most hated of fathers
Cigarette smoke and red leather
February 1978

Thirty years of indifference
Still feeling the wheals
Driven by curiosity of a future
The saddest of fathers
Blind and horizontal
November 2012

http://www.youtube.com/watch?v=rVPFzj3UnNw

Breaking up is hard, but keeping dark is hateful
I had so many dreams,
I had so many breakthroughs
But you, my love, were kind, but love has left you dreamless
The door to dreams was closed.
Your park was real dreamless
Perhaps you're smiling now,
smiling through this darkness
But all I had to give was the guilt for dreaming


 

 

 

 

 

Wednesday, 14 November 2012





I can’t wait to see what it’s like on the outside now...

On Saturday darling Amanda and I went to see Melody Gardot at the Barbican; a birthday gift. We arrived in plenty of time and drifted amongst the beautiful people sipping expensive gin and tonics from plastic glasses, eyeing up outfits and shoes.
 

Melody sashayed onto the stage to rapturous applause looking every inch the diva superstar. She sat at a beautiful grand piano and nodding to her musicians launched into a volcanic instrumental jazz fusion, teasing the keys one minute and the next striking them as if betrayed. It was a wonderful surprise and a portent for an evening which snaked effortlessly between consuming world rhythms, torch jazz and Billy slurs and pauses. Her seamless ability to stitch styles and Condor glide between genres reminded me strongly of Joni Mitchell and I can only dream of the delights to come.
 

http://www.youtube.com/watch?v=azmZM8De_7s

Amalia, finding a way out on the open road
Amalia, going whichever way the wind gon' go
Amalia, taking your chances on the open sea
Amalia, such a funny little bird and you're now with me.
Melody wrote Amalia about a pigeon with a broken wing and the song reminds me of two abandoned baby birds that I came across on a Brighton Housing Trust window ledge. I sought advice from Amanda whose years of Nature Watch addiction I knew would come in handy. At the weekend we snuck into the building, settled the waifs in a straw filled shoe box and took them to Rogers Wildlife Rescue for salvation; a happy ending.

http://www.rogerswildliferescue.co.uk/


Sunday night was an altogether different, but no less sophisticated and vibrant evening. I was lucky enough to see Frank Zappa live at the Knebworth Festival in 1978 but was confused by his scattering clattering chaos on that occasion.
 
I had been introduced to him by my friend Paul Necus who sat me down one day to listen to the Grand Wazoo record and I immediately loved the rock riffs, virtuoso playing and jazz sensibilities found within it. The trouble is that Zappa made records like other people make toast, releasing over 60 albums in his career, and quality control was not always present. However Zappa can be incendiary and son Dweezil has the good sense to pan for gold when dipping into his father’s repertoire.



Sunday’s show was a master class of outstanding playing and quirky time signatures showcasing a unique and fearless mind. Here’s a bit of Zappa & Zappa junior at their best. Enjoy J
http://www.youtube.com/watch?v=seBNQwKswI0

Wee-ee-oooh
Wee-ee-oooh
Wee-ee-oooh
http://www.youtube.com/watch?v=LzWyPNj9yp0

I am the ZOMBY WOOF
I'm that creature all the ladies been
Talkin' about...




PS the singer Ben Thomas (on the left) is hot :)

 
 
 
 

Tuesday, 13 November 2012


The divine plan
God must be a boogie man!
On November 7th there was cause to celebrate when Roberta Joan Anderson, a painter derailed by circumstance, turned 69. I celebrated the day by lecturing work colleagues about her brilliance and soundscaping day job routine with a body of work unmatched by any other female artist. I speak of none other than Joni Mitchell. Goddess...

I had been ambivalent to Joni at first, dismissing her as a shrill, warbling folkie but 1976 was the year. In January Bowie raised the bar with the Motorik funk of Station to Station; in May Steely Dan blasted away rock convention with The Royal Scam and in November Joni Mitchell delivered paradise with Hejira.
 

Here are we one magical moment
Such is the stuff from
where dreams are woven

Bending sound
Dredging the ocean lost in my circle




Their southern sky was clouded by
A savage winter
Every patron saint
Hung on the wall, shared the room
With twenty sinners

 

We're only particles of change I know, I know
Orbiting around the sun
But how can I have that point of view
When I'm always bound and tied to someone


When I am bereft and adrift Joni is the artist I turn to for solace and comfort. A melodic sage, she never fails to deliver an articulation of the messy helplessness of love. No one quite expresses the battlefield of pain and joy that affairs of the heart can trace like Joni Mitchell.
I wrote the album while traveling cross-country by myself and there is this restless feeling throughout it; the sweet loneliness of solitary travel.

We all travel in the vehicle we inherit from our parents and that’s something I’m coming to terms with late in life. I have no control over the soup that the combined genes of two clans gave me and it feels good that I’m not unhappy with that. We’re here for a heartbeat and my divine plan is simply to burn as brightly as I can and be loved.
http://www.youtube.com/watch?v=cZeyIbcsuPE

He is three
One's in the middle unmoved
Waiting
To show what he sees
To the other two
To the one attacking--so afraid
And the one that keeps trying to love and trust
And getting himself betrayed
In the plan--oh
The divine plan
God must be a boogie man!

Happy Birthday Joni J